A tumblelog by Stuart Harrington
He saw through to the bones of people, not only through the flesh, but through the flesh of their thought to the skeletal motive. He found no motives. He found no reasons for what they did.
A photograph is always a double image,
showing at first glance, its subject,
but at second glance — more or less visible,
“hidden behind it,” so to speak,
the “reverse angle”:
the picture of the photographer
in action.
Once by Wim Wenders
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